When I were a lad Sunday afternoons were taken up with aged black and white films on the telly. Alas rarely did we ever enjoy a live football match, and while there featured some memorable programmes I have let them memorably slip from my mind, rather like the way I pay my debts. The 'Road' films, featuring Bob Hope and Bing Crosby, would sometimes appear in between those dreadful romances that had originally been screened during the war. The cinema was of course one of the places to be during war time. Not only could the citizens cuddle in the dark, but it took them away from the ever present dangers, at home and abroad, especially if they were doing the cuddling! Women not only wept through the romances, not nearly as much as the men did, but the ideal of wealth drenched America,with its large houses, constant sunshine and big automobiles tempted many to run of with chewing gum toting Yankee soldiers. Whether the delights of Idaho and Brooklyn lived up to the films image I know not! The thing is that in the early sixties films (that's movies to Americans) had to be ten years old before they were allowed on our screens! This meant nearly all were very dated. However it did give an outing to many 'B' westerns and excellent comedies. The Marx Bros and the 'Road' films sticking in my head more than most.
This is because of the 'repartee' between the main protagonists, and the way it was handled in these films. However I have just found 'The Road to Morocco' on a video tape (ask dad or some other old person what that is kids) and now see it for the dated creature it is. It tells much about Hollywood's understanding of Morocco and the Arabs! Large palaces straight from the 1001 nights, and camels, unfortunately the wrong type for Morocco, and each and every Moroccan with the ability to speak perfect English, with an American accent! The film was released on November the 8th 1942, and two days later American troops landed in Morocco in their first real entry into the war against Germany. Good job they were not shown this movie on the way, the reality would have disappointed them somewhat! We forget how much television has revealed the world to us in a way film never did in the forties. Let's face it we were quite ignorant of the world even into the sixties and television pictures, usually in the 'News' informed us of the world outside. This film could never be made today. The humour, not nearly as good as I recall, does last. Near the end, during the usual fight scene, the camels look on and one says that watching humans she is glad she is a camel, her mate responds, "I'm glad your a camel too Mabel." His eyes then revolve happily. Earlier when arriving at the bad guys tent in the desert, (which like the 'Dr Who' 'Tardis,' was huge inside and kind of small from the outside) Crosby says, and there is only two of them, "We must rescue the girls, we must storm the place." Hope replies, "You storm the place, I'll just stay here and drizzle." That is what made these films. Nearly seventy years on they lose something but become interesting from the 'social history' aspect. (aspect? I sound like an estate agent!) Still, worth a look in comparison the dross on telly today.
