A Painter called Goodwin

Holyrood 

'Holyrood' by Albert Goodwin caught my attention this morning.  A striking, though somewhat dramatic, impression of the area at the foot of the Royal Mile.  The bright red uniforms of the Guards lit by a gas lamp, a few bright spots in the windows, an umbrella, and the typical Edinburgh rain with just a touch of light in the sky show that he painting this during the height of summer!  Poetic licence allows for an image the camera cannot catch but this is not harming anything.  There were enough photographs indicting the terrible housing conditions round the corner from Holyrood to show life was not good for the lower orders at this time.  The rain however, remains constant!

 Westminster

Albert Goodwin was born in Maidstone in the year 1845, the same year my grandfather chose to be born.  He was born on a farm on the border while Albert arrived in a builders home, one of nine children!  It has been said that photographs from the Victorian age contain many children, while in the present time they contain many older people.  Large Victorian families died out after the second world war, better wealth, better health, and better control helped.  I need not point out that my mother often referred to me as an 'accident,' without explaining why.  How many young men are called 'Albert' these days?  By marrying Victoria and becoming the queen's consort Albert gave his name to the nation paying his way.  Male children called 'Albert' did abound, as did 'Albert Road,' 'Albert Street,' 'Albert Terrace,' and a few 'Albert' pubs no doubt.  I could go on but I will generously spare you that.  Now our Albert was talented, especially in water colours which he made his specialisation, so talented that the 'Pre-Raphaelite' Ford Madox Brown among others took him under his wing when young and while he was only fifteen years of age Goodwin had one picture on show at the Royal Academy.  John Ruskin the famous man of letters, I am a man of letters also, mostly begging, Ruskin took him across Europe where he sketched and drew later turning the results into many pictures.  His paintings did have a 'Turner' like effect, at least they made an impression on me, and his landscapes delight at every turn.  Ruskin was a man who encouraged the Turner influence.  he wished Goodwin and all to paint 'beauty,' which meant the uglier side of life was ignored. 'Beauty' was supposed to lift the individual, which indeed it does, but so does a proper wage and a home with heat!

Whitby

Allowing for that artistic licence, which is another way of saying artists cheat, there is a great deal of history in the pictures.  'Westminster' for instance reveals how close the docks were to parliament.  What is now Victoria Park was at that time home to many boats, possibly their maintenance was involved although it might well be goods were transshipped even here.  The lighters, sails, and occasional figure offer a peaceful 'end of day' appearance.  This would be gladly welcomed by those working the boats as their day had started by six and was probably ending more than twelve hours later.  On top of this that artist fellow keeps shouting, "keep the boat still will you?"  The angle from which he paints the ruins at Whitby, the inspiration for 'Dracula' as you know, enables the artist to avoid all those horrid dwellings with the people in them.  

Nile Sunset

Albert Goodwin passed away in 1932 after a life travelling the world painting pictures which he hoped would show God's beauty in the world around us.  Ruskin's influence taught him the importance of drawing as well as colour, Turner and Pre-Raphaelite taught him beauty but in the end he was himself, doing what he thought right.  Historical facets can be gleamed in the many pictures he painted, around 800 in all, but it is a pity he did not show more reality of the world around.  

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